Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.  Related Paintings of Francisco de Goya :. | Luis de Etruria yerno de Carlos IV, boceto preparatorio para La familia de Carlos IV | The Strolling Players | Caza con reclamo | The family of Infante Don Luis | Tiburcio |
Related Artists:
Adrian Vanson
Adrian Vanson (died c. 1602) was court portrait painter to James VI of Scotland. Adrian succeeded Arnold Bronckorst as court painter in Scotland in May 1584, and his appointment was subsequently confirmed by royal letter on 20 August 1584. Adrian Vanson was paid £8-10s in June 1581 for two pictures sent to Theodore Beza. A letter by James VI's former tutor Peter Young accompanied pictures of John Knox and George Buchanan sent to Geneva in November 1579 for the woodcuts in Beza's Icones (1580). The Scottish portraits arrived too late for the book, and the woodcuts of Knox and a James VI, thought to be by Vanson, were first published in Simon Goulart's edition of the Icones in 1581. The picture of George Buchanan, which was never published in Beza's Icones, but may have appeared in other later works, is attributed to Bronckorst. Knox from Beza's Icones, after Adrian VansonVanson also painted ceremonial spears and banners for the coronation of Anne of Denmark. When he was made a burgess of Edinburgh, it was hoped he would teach his craft to apprentices. He may have been 'Lord Seton's painter', who was recorded drawing portraits for coins at the mint in Edinburgh. There was a un-named Flemish painter working on the king's portrait at Stirling Castle in May 1579. This may have been Vanson or Bronckorst. According to the inventories of the Earl of Leicester, he had a portrait of the 'young king of Scots' in 1580, which may have been another copy of this picture. Leicester sent his own portrait to James VI, painted on canvas by Hubbard in 1583. Attributed portraits include James VI; Anne of Denmark; Patrick Lyon, Lord Glamis; Sir Thomas Kennedy of Culzean; Agnes Douglas, Countess of Argyll. Vanson's James VI of circa 1585 survives at Edinburgh castle. In May 1586 a French ambassador in Scotland, the Baron d'Esneval, promised to get Mary, Queen of Scots a copy of a recent portrait of James VI from the only painter in Edinburgh. There had been rumours of an embassy to Denmark to discuss the king's marriage in April 1586. It is thought the picture at Edinburgh Castle was made by Vanson for this embassy or a similar purpose.
Ismael Nery
Ismael Nery (October 9, 1900 - April 6, 1934) was a Brazilian artist. Born in Belem, Pare of Dutch, Native-Brazilian and African ancestry,[1] he studied at the Escola Nacional de Belas Artes (National School of Fine Arts) in Rio de Janeiro and at the Academie Julian in Paris. He created numerous paintings, wrote many poems and also helped design Brazil's National Patrimony of the Treasury department. Nery married a poet, Adalgisa Nery, in 1922. He contracted tuberculosis in 1931, and died of it in 1934.
Francois Pascal Simon Gerard
12 March 1770 - 11 January 1837) was a French painter born in Rome, where his father occupied a post in the house of the French ambassador. His mother was Italian. As a baron of the Empire he is sometimes referred to as Baron Gerard.